Published on : 2017-04-24 05:54:24

  The second thing that was done was the addition of another number stamped into the chassis as a suffix to the A23373 serial number, e dating fender musicmaster bass.   Some tables changed very little and others changed quite a bit.   First, the parts that don’t make sense must be reconciled and second, shady sellers aren’t disclosing or allowing close scrutiny of their amps (for obvious reasons).   The tweed amps were being phased out and the brown/blonde amps were introduced. and these changes are often disclosed and of a non-malicious nature.   Could it be the machine also got stuck on A23374, -75, -76, and -77.   There are some bad guys out there selling Fender amps of dubious origins, so it’s important to get this info into the public domain.   Very few of these were and those who own one of these oddballs can either be happy with the fact that it is a rare amp or be sad that the mismatched impedance means the amp is less efficient.  In addition, the dating-by-serial number tables have been revised and are more accurate.   It seems that some of these amps were fitted with an output transformer from the blonde Twin Amp during the autumn of ’61.   The 6G6-A lost its rectifier tube in favor of solid state rectification and its 1x12 8-ohm speaker in favor of a 2x12 4-ohm cabinet in December ’61.   Unfortunately, good dating information for silverface amps from the 1970s is still lacking and that’s why there isn’t much new information for amps made from 1972-76.   Greg was passionate about Fender amps and his knowledge, insight and humor will be missed very much dating fender musicmaster bass.   It would have been very costly to destroy these units so two remedies were implemented.   However, on the very first examples of this amp made in December ’61 and the first half of January 1962, Fender didn’t change one very important item – the output transformer.   These examples all have the GZ34 rectifier tube (as found in the 6G6), yet the tube charts are 6G6-A.   Well, for the 4-digit serials affixed on a foil sticker, numbers as low as 0127 and has high as 3765 have been observed.   Regardless, it is still a good sounding amp so that’s all that counts.

  Unfortunately, there is some sad news to report as well.   Paul worked with Greg on their small box brown Twin myth busting research and is extremely knowledgeable about Fender amps in general with a specialization in the brown and blonde amps.   The amps that received the stamped suffix must also be added to this sub-total.   For now, the dating schemes for these series are:  .    A lot of people do and here’s a plausible explanation based on the evidence.     Paul Linden has volunteered to fill in for Greg.   Perhaps the collectability of these more recent models, though still climbing, isn’t at a high enough level to generate the interest. Do you have a silverface Twin Reverb Amp or Dual Showman Reverb Amp with the serial number A23373.   Unfortunately, these often peeled off or were removed by the amp’s owner thus revealing the A23373 number.   For some reason, folks are willing to poke their head into tweed, blonde, brown and blackface amps, but not into silverface amps.   Assuming the suffixes started with -01 and went to -3000, there would be around 3000 of these floating around.   The revised amp had 14 coupling caps and there may have been upwards of 150 made.   The following charts are the revised dating tables for Fender tube amps.   The best estimate is that about 100 of these were made before the circuit was revised.   The bottom line is to do your homework or enlist the aid of an expert.   The machine that stamped the serial number into the back of the chassis got stuck on number A23373 and a lot of pieces were stamped with this number.   To make things more interesting, there were two versions of the 6G9 6BQ5 circuit.   The earliest version had 12 coupling caps.

  Without date codes from transformers, pots and/or speakers, it’s not possible to predict amp dates by serial number.   The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers.   The lowest suffix observed to date is A23373-39 and the highest is password for camfree websites.
.   Greg kept his illness very private, even from this author.   Of course, this is all hypothetical, but still plausible.   Yes, Fender went with a deliberate mismatch, not unlike the 3x10 brown Bandmasters that shipped with 8-ohm output transformers.   These modifications are making this research more difficult for a couple of reasons.    Eventually, the hope is to have enough info for a more detailed breakdown on the B series, A+6 digit and F+6 digit series.   As a result, there are a lot of amps out there that may look original, but are not. Fender had a big transitional year for their amps in 1960.   His passing is a great loss to this research team and the Fender amp aficionado community in general.   The revisions were made based on data collected since the tables were initially published.   But other changes may be meant to deceive.   Some things are very obvious such as non-original or reconed speakers, non-original transformers, replaced pots, re-tweed, re-tolex, re-grill, etc.   Sometime in 1970, Fender ordered a bunch of Twin Reverb/Dual Showman Reverb chasses from their supplier. .Free live sex chat kerala aunties.Adult dating free with chat room.

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