Â The second thing that was done was the addition of another number stamped into the chassis as a suffix to the A23373 serial number, e dating fender musicmaster bass. Â Some tables changed very little and others changed quite a bit. Â First, the parts that donâ€™t make sense must be reconciled and second, shady sellers arenâ€™t disclosing or allowing close scrutiny of their amps (for obvious reasons). Â The tweed amps were being phased out and the brown/blonde amps were introduced. and these changes are often disclosed and of a non-malicious nature. Â Could it be the machine also got stuck on A23374, -75, -76, and -77. Â There are some bad guys out there selling Fender amps of dubious origins, so itâ€™s important to get this info into the public domain. Â Very few of these were and those who own one of these oddballs can either be happy with the fact that it is a rare amp or be sad that the mismatched impedance means the amp is less efficient. Â In addition, the dating-by-serial number tables have been revised and are more accurate. Â It seems that some of these amps were fitted with an output transformer from the blonde Twin Amp during the autumn of â€™61. Â The 6G6-A lost its rectifier tube in favor of solid state rectification and its 1x12 8-ohm speaker in favor of a 2x12 4-ohm cabinet in December â€™61. Â Unfortunately, good dating information for silverface amps from the 1970s is still lacking and thatâ€™s why there isnâ€™t much new information for amps made from 1972-76. Â Greg was passionate about Fender amps and his knowledge, insight and humor will be missed very much dating fender musicmaster bass. Â It would have been very costly to destroy these units so two remedies were implemented. Â However, on the very first examples of this amp made in December â€™61 and the first half of January 1962, Fender didnâ€™t change one very important item â€“ the output transformer. Â These examples all have the GZ34 rectifier tube (as found in the 6G6), yet the tube charts are 6G6-A. Â Well, for the 4-digit serials affixed on a foil sticker, numbers as low as 0127 and has high as 3765 have been observed. Â Regardless, it is still a good sounding amp so thatâ€™s all that counts.
Â Unfortunately, there is some sad news to report as well. Â Paul worked with Greg on their small box brown Twin myth busting research and is extremely knowledgeable about Fender amps in general with a specialization in the brown and blonde amps. Â The amps that received the stamped suffix must also be added to this sub-total. Â For now, the dating schemes for these series are: Â . Â Â A lot of people do and hereâ€™s a plausible explanation based on the evidence. Â Â Paul Linden has volunteered to fill in for Greg. Â Perhaps the collectability of these more recent models, though still climbing, isnâ€™t at a high enough level to generate the interest. Do you have a silverface Twin Reverb Amp or Dual Showman Reverb Amp with the serial number A23373. Â Unfortunately, these often peeled off or were removed by the ampâ€™s owner thus revealing the A23373 number. Â For some reason, folks are willing to poke their head into tweed, blonde, brown and blackface amps, but not into silverface amps. Â Assuming the suffixes started with -01 and went to -3000, there would be around 3000 of these floating around. Â The revised amp had 14 coupling caps and there may have been upwards of 150 made. Â The following charts are the revised dating tables for Fender tube amps. Â The best estimate is that about 100 of these were made before the circuit was revised. Â The bottom line is to do your homework or enlist the aid of an expert. Â The machine that stamped the serial number into the back of the chassis got stuck on number A23373 and a lot of pieces were stamped with this number. Â To make things more interesting, there were two versions of the 6G9 6BQ5 circuit. Â The earliest version had 12 coupling caps.
Â Without date codes from transformers, pots and/or speakers, itâ€™s not possible to predict amp dates by serial number. Â The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers. Â The lowest suffix observed to date is A23373-39 and the highest is A23379-2916.free password for camfree websites.. Â Greg kept his illness very private, even from this author. Â Of course, this is all hypothetical, but still plausible. Â Yes, Fender went with a deliberate mismatch, not unlike the 3x10 brown Bandmasters that shipped with 8-ohm output transformers. Â These modifications are making this research more difficult for a couple of reasons. Â Â Eventually, the hope is to have enough info for a more detailed breakdown on the B series, A+6 digit and F+6 digit series. Â As a result, there are a lot of amps out there that may look original, but are not. Fender had a big transitional year for their amps in 1960. Â His passing is a great loss to this research team and the Fender amp aficionado community in general. Â The revisions were made based on data collected since the tables were initially published. Â But other changes may be meant to deceive. Â Some things are very obvious such as non-original or reconed speakers, non-original transformers, replaced pots, re-tweed, re-tolex, re-grill, etc. Â Sometime in 1970, Fender ordered a bunch of Twin Reverb/Dual Showman Reverb chasses from their supplier. .Free live sex chat kerala aunties.Adult dating free with chat room. Internet solution dating matchmaking internet solution.